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OUR DOORS OPEN HALF
AN HOUR BEFORE THE
FIRST SHOW OF THE DAY

SHOWTIMES FOR
JULY 12-JULY 18

Hail Satan?
Rated R. (95 mins.) [CC]

ONE WEEK ONLY!
Fri 7/12 7:45
Sat 7/13 7:45
Sun 7/14 7:30
Mon 7/15 5:15
Tue 7/16 5:15
Wed 7/17 3:00, 8:00
ENDS Thu 7/18 3:00, 8:00

 

Deconstructing The Beatles: Abbey Road // Side Two
Not Rated. (91 mins.)

Mon 7/15 7:30

all seats $15 day of the event

The Bikes of Wrath
Not Rated. (105 mins.)

Tue 7/16 7:30 followed by Q&A
with director Charlie Turnbull

all seats $12 in advance
or $15 day of the event

 

The Biggest Little Farm
Rated PG. (91 mins.) [CC,AD]

Fri 7/12 1:00, 3:15, 5:30
Sat 7/13 1:00, 3:15, 5:30
Sun 7/14 12:00, 2:30, 5:15
Mon 7/15 2:30, 7:30
Tue 7/16 2:30, 7:30
Wed 7/17 3:00, 5:45
Thu 7/18 3:00, 5:45

 

The Last Black Man
in San Francisco
Rated R. (120 mins.) [CC,AD]

Fri 7/12 3:15, 8:30
Sat 7/13 3:15, 8:30
Sun 7/14 2:15, 7:30
Mon 7/15 2:15
Tue 7/16 2:15
Wed 7/17 5:15
ENDS Thu 7/18 5:15

Echo In The Canyon
Rated PG-13. (82 mins.) [CC]

Fri 7/12 1:00, 6:15
Sat 7/13 1:00, 6:15
Sun 7/14 12:00, 5:15
Mon 7/15 5:15
Tue 7/16 5:15
Wed 7/17 3:00, 8:00
Thu 7/18 3:00, 8:00

 

The Dead Don't Die
Rated R. (105 mins.) [CC,AD]

Fri 7/12 3:30, 8:30
Sat 7/13 3:30, 8:30
Sun 7/14 2:30, 7:30
Mon 7/15 7:30
Tue 7/16 7:30
Wed 7/17 8:00
Thu 7/18 8:00

 

Late Night
Rated R. (102 mins.) [CC,AD]

Fri 7/12 12:45, 6:00
Sat 7/13 12:45, 6:00
Sun 7/14 11:45, 5:00
Mon 7/15 2:30, 5:00
Tue 7/16 2:30, 5:00
Wed 7/17 5:30
Thu 7/18 5:30

TIMES & DATES SUBJECT TO CHANGE
Please call 503-378-7676 to confirm.

HAIL SATAN?

United States. 2019. Directed by Penny Lane. (95 mins.) Rated R. [CC]

A wickedly funny deadpan documentary, HAIL SATAN? challenges pre-conceived notions with its outspoken message about the fight for social justice!

"A fascinating documentary about ragtag political activists making fundamentally serious mockery at a high level of media savvy." - Joe Morgenstern, Wall Street Journal


Brandishing her sharply honed cinematic sword, director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and defiantly serious storytelling in this wickedly topical documentary that bares its horns to speak truth to power. Just a few years old, the Satanic Temple has risen from the depths to become one of the most controversial religious movements in American history. HAIL SATAN? bears witness as the temple evolves from a small-scale media stunt to an internationally recognized religion with hundreds of thousands of adherents while its leaders force us to consider the true meaning of the separation of church and state. Regardless of your own religious beliefs, Lane’s insightful and unexpectedly amusing documentary will challenge everything you might have assumed about Satanists. At its core, this formidable film is really about the things we all want: equality, freedom and love.

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THE BIGGEST LITTLE FARM

United States. 2019. Directed by John Chester. (91 mins.) Rated PG. [CC,AD]

Uplifting, educational, and entertaining, THE BIGGEST LITTLE FARM is an environmental advocacy documentary with a satisfying side dish of hope for the future!

"An entertaining and informative look at what it takes to build and maintain a successful small farm, giving ample evidence that small farms are the only truly sustainable ones." - M. Faust, The Public


SEDONA FILM FESTIVAL AWARD WINNER! Best of the Fest (tie) & Best Documentary! The chronicle of one couple's leap-of-faith trial-and-error attempt to build a farm in harmony with nature, THE BIGGEST LITTLE FARM is an inspiring ode to uncompromising idealism and a graceful reminder of the magnificence and resilience of the natural world. Photographer John Chester and his culinary writer wife Molly, accompanied by their rescue dog Todd, abandoned their tiny Los Angeles apartment to pursue their dream. In the epic eight-year span of the movie, they battle drought and fire and ferocious winds, and with a beguiling cast of animals, including a star turn by a pregnant sow named Emily, this uplifting, stunningly shot chronicle of Apricot Lane Farms is a rousing demonstration of how to live in harmony with the Earth.

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THE LAST BLACK MAN IN SAN FRANCISCO

United States. 2019. Directed by Joe Talbot. (120 mins.) Rated R. [CC,AD]

A powerfully told, affecting story, THE LAST BLACK MAN IN SAN FRANCISCO is a poetic and subtly moving tale about leaving the past behind!

"The Last Black Man in San Francisco is poignant filmmaking with an invigorating spirit." - Adam Graham, Detroit News


A wistful odyssey populated by skaters, squatters, street preachers, playwrights and other locals on the margins, THE LAST BLACK MAN IN SAN FRANCISCO is a sweeping story of hometowns and how they’re made — and kept alive — by the people who love them. Jimmie Fails (playing himself) dreams of reclaiming the Victorian home his grandfather built. Every week, he and his best friend make a pilgrimage across the city, wildly imagining what life would be like if the neighborhood had never changed. Joe Talbot’s astonishing directorial debut is a deep and resonant meditation on the stories we tell ourselves to find our place in the world.

 

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ECHO IN THE CANYON

United States. 2019. Directed by Andrew Slater. (82 mins.) Rated PG-13. [CC]

ECHO IN THE CANYON celebrates the explosion of music that came out of L.A.'s Laurel Canyon in the mid-60s as folk went electric!

"The delight of Echo in the Canyon is in the delicious details its subjects impart." - Helen T. Verongos, New York Times


A jubilant and nostalgic look back at the music from Southern California's age of innocence, ECHO IN THE CANYON is an exuberant celebration of the bands who essentially invented folk rock and attracted a generation of recording artists to the L.A. scene. The songs from The Byrds, The Mamas & The Papas, Buffalo Springfield and The Beach Boys provide an entry point as Jakob Dylan takes a no-holds-barred journey to discover what life was like in Laurel Canyon during the 1960s. Uncovering never-before-heard personal details behind the bands and their songs and how that music continues to inspire today, Dylan's candid conversations with Brian Wilson, Ringo Starr, Michelle Phillips, Eric Clapton, Stephen Stills, David Crosby, Graham Nash, Roger McGuinn and Jackson Browne as well as some of the contemporary musicians they influenced such as Tom Petty (in his very last film interview), Beck, Fiona Apple, Cat Power, Regina Spektor and Norah Jones furnish a delight-filled, energetic glimpse into a time and place that changed music forever.

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THE DEAD DON'T DIE

United States. 2019. Directed by Jim Jarmusch. (103 mins.) Rated R. [CC,AD]

A hysterical meta trip and a beautiful homage to Romero, THE DEAD DON'T DIE is an absolute apocalyptic riot!

"An exuberantly imaginative yet political fable about a world thrown literally out of whack by 'polar fracking.'" - Richard Brody, New Yorker


Adam Driver and Bill Murray lead an all-star cast in THE DEAD DON'T DIE, indie maven Jim Jarmusch’s (PATERSON, NIGHT ON EARTH) latest flick. Centerville is a sleepy, peaceful town in the middle of nowhere that finds itself battling a zombie horde after the dead start rising from their graves. Presiding over this quiet hamlet is police chief Cliff Robertson (Murray) and officers Ronald Peterson (Driver) and Minerva Morrison (Chloë Sevigny), who are thrown for a loop when their local diner is unexpectedly attacked. Armed with machetes and shotguns – and with the assistance of a strange, sword-wielding Scottish mortician (Tilda Swinton, naturally) – Centerville's small police force gets to work on vanquishing this reanimated pack of ghouls. With Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, RZA, Selena Gomez, Iggy Pop, Carol Kane and Tom Waits, this ferociously funny movie is a disarmingly intelligent riff on politics, parodies, and the futility of it all.

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LATE NIGHT

United States. 2019. Directed by Nisha Ganatra. (102 mins.) Rated R. [CC,AD]

LATE NIGHT is co-star and writer Mindy Kaling's delightful, insightful comedy set in the world of late night television!

"An earnest and funny comedy, with very sharp teeth." - Sheila O'Malley, RogerEbert.com


Smartly written by Mindy Kaling and snappily directed by Nisha Ganatra, this sly, sophisticated comedy about the times in which we live tackles white privilege, entitlement and a culture dangerously veering toward crassness and conservatism. Katherine Newbury (Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When her humor is challenged, she puts affirmative action on the to-do list, and hires her first and only female staff writer (Kaling). Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine and Kaling easily charms her way into the hearts of viewers everywhere. LATE NIGHT is a fresh, unexpected, biting and crisp commentary on our country.

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©Salem Cinema 2019

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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